Entering/Bridging The Gap

Entering refers to closing the distance between various ranges of fighting. Bridging the gap refers specifically to entering from long range (fighting measure) to medium range (brim of fire).

Bridging the gap can be done in two basic ways. Either you initiate the entry with an offensive action (attack) or your opponent initiates the action and you respond (counter attack). From there the topic becomes complex. 

You Initiate The Action 

When you initiate the action, you are going to do so using one of the methods of attack. 

Single Direct Attacks

-You see an opening and take it

Combinations

-Overwhelming opponents defense with multiple strikes.

-Straight shots used to setup hooking shots. Hooking shots to setup straight shots. 

False Attacks

-Feint for fake creates opening to attack

Drawing 

-Drawing opponent in with the intent of attacking the opening it creates.

Movement Entries

-Using movement while entering to make it more difficult for your opponent to hit you and to create an angle to attack. 

To utilize any of these methods, you have to move foreward (either straight or diagonally) and synchronize your strike with some type of footwork. Additionally, you may incorporate some form of upper body defensive movement or guard to add a degree of protection against counter attacks. 

Add footwork defensive movements (slip and hit)

Weave Entry *exampe *example

Slip Entry

Bob Entry

________

Strategic Approaches to Entering There are two basic approaches to bridging the gap: Initiating the Entry: Charging into range with footwork, setups, or explosive movement. Counter-Entry: Allowing the opponent to initiate and timing your entry as they commit to an attack. These approaches demand timing, speed, reading the opponent, and appropriate technique selection.Technical Methods for Closing the Gap Simple Attack A single, direct technique aimed at exploiting an opening.[^47] Requires exceptional timing and crisp execution. Fast footwork is vital, putting the onus on the martial artist to commit aggressively while maintaining recovery options. Forced Entry An aggressive tactic—often involving multiple attacks or a strike to displace an opponent’s guard, followed by entry.[^47] Distractions and Feints Employing fakes and feints to draw reactions and create safe entry lines. Misdirection often buys critical fractions of a second for closing distance. Broken Rhythm and Deceptive Timing Changing tempo and timing interrupts the opponent’s defensive patterns and creates opportunities to enter.[^62] Trapping and Hand Fighting Used frequently in arts like Wing Chun and Jeet Kune Do, trapping hands bridge the gap between striking and grappling, allowing entry to clinch range and disrupting an opponent’s rhythm.[ 53][^54] 49][ Footwork and Angulation Dynamic footwork—such as shuffles, lunges, step-and-slides, or angular entries—facilitate safe and efficient closing of distance. Moving off-line as one enters minimizes risk.[ 54][^56]

See:

The Principles of Unarmed Combat

Distance & Range

I. Core

Distance - refers to the space between you and your opponent. 

Range - The artificial categorization of the varying possible distances between you and your opponent(s). 

II. Reference

A. Jeet Kune Do Distances

There are three primary distinctions that can be made in regards to the distance between you and your opponent: Fighting Measure, Brim of Fire and the Critical Distance Line.

Fighting measure
Is the distance between a fighter and his opponent which puts him just out of range of his opponents attack. It is easier to defend against an opponents attack at this range as he or she must first take a step forward to reach you, thus providing you more time to respond.

Brim of fire
Is the distance at which your opponent can strike without moving forward because the critical distance line has been crossed.

Critical distance line

The imaginary line between the fighting measure and the brim of fire line. 

Bridging the gap
Occurs when one opponent close the space between the fighting measure. The gap is bridged when either one or the other opponent moves past the fighting measure into striking distance.

See:

Chinatown Jeet Kune Do

B. Jeet Kune Do Four Ranges

1. Kicking Range

2. Punching Range

3. Trapping Range

4. Grappling Range

"These divisions often confuse students because many attacks work at all these ranges. For instance, the trapping range places a JKD martial artist close enough to grab his opponent’s arms, but he can still perform a scoop kick to the groin at this distance. Furthermore, although the kicking range is supposedly outside of the hand-striking range, the martial artist can still perform a push-step finger jab to the opponent’s eyes from this distance.

See:

Chinatown Jeet Kune Do

C. Jeet Kune Do Three Ranges

1. Long Range - Distance at which neither you nor your opponent can touch each other. Both just beyond reach of your longest weapon.

2. Medium Range - Can reach each other with longest kick or punch.

3. Close Range - Can trap or grapple with opponent.

See: Jeet Kune Do Basics. David Cheng